Jake Gyllenhaal and Annaleigh Ashford, who both earned raves for their portrayals, will return to their roles, and will mark the second major Broadway revival of Sondheim and Lapine's Pulitzer Prize-winning musical.
Sondheim and Lapine's masterpiece follows painter Georges Seurat (Jake Gyllenhaal) in the months leading up to the completion of his most famous painting, A Sunday Afternoon on the Island of La Grande Jatte. Consumed by his need to "finish the hat," Seurat alienates the French bourgeoisie, spurns his fellow artists, and neglects his lover Dot (Annaleigh Ashford), not realizing that his actions will reverberate over the next 100 years.
Sunday in the Park with George is produced on Broadway by Adam Speers for Ambassador Theatre Group, New York City Center, Jeanine Tesori, and Riva Marker.
This revival (directed by Sarna Lapine, niece of James Lapine) originated as a concert staging at City Center. With the exception of an elaborate light sculpture sequence, it is a simple presentation that lacks the visual thrills of the original production or the 2008 Broadway revival. However, storytelling is focused and the score (played by a full orchestra) sounds as glorious as ever. Compared with other actors who have played the role, Gyllenhaal's Georges is sensitive, wounded and even sympathetic.
But one need not know Seurat to enjoy this enchanting production. Jake Gyllenhaal, bearded and intense with a rich singing voice, makes the character understood immediately: He is an artist blinded to life's joys by his own work ethic, even as he spends his days observing other people at their leisure. (George is not a total prig, however, and Gyllenhaal lets loose with some silly business singing the voices of two dogs in the painting.) By contrast, the pointillist's model and lover, the aptly named Dot, played with an endearing blend of comic sparkle and pathos by Annaleigh Ashford, wants the simple pleasures of going to the Follies and eating cream puffs. But she cannot pull George from his studio, and - practical girl that she is - may take up with the baker who keeps her in dough.
1983 | Off-Broadway |
Playwrights Horizons Workshop Off-Broadway |
1984 | Broadway |
Original Broadway Production Broadway |
1986 | Regional (US) |
Long Beach Revival Regional (US) |
1990 | West End |
London Revival West End |
1994 | Broadway |
Reunion Concert Broadway |
1997 | Regional (US) |
Regional Revival Regional (US) |
2002 | Regional (US) |
Sondheim Festival Production Regional (US) |
2004 | Regional (US) |
Regional Concert Regional (US) |
2005 | London Fringe |
London Revival London Fringe |
2006 | West End |
West End Transfer West End |
2007 | Los Angeles |
Reprise! Concert Los Angeles |
2008 | Broadway |
Roundabout Revival Broadway |
2014 | Arlington, VA (Regional) |
Signature Theatre Production Arlington, VA (Regional) |
2016 | New York |
New York City Center Concert Gala New York |
2017 | Broadway |
Broadway Revival Broadway |
2020 | London |
2020 West End Revival London |
Videos